The inner selves, Hetty and Maggie,
can always hear each other. While Margaret and Harriet are conversing, Maggie
and Hetty have their own dialogue going on, a dialogue that the reader could
argue is the “true” version of what these two women are actually thinking. With
the very first interaction between Margaret and Harriet, Maggie and Hetty
directly address each other. Hetty says, “That’s a lie.” and then Maggie says,
“I’d bite you if I dared.” This is the first of many instances when these two
speak directly to each other. In the world of Overtones, the reader sees that Margaret and Harriet can address
each other and hear their own alter egos, but they cannot hear the other
woman’s “dark” side. The reader knows this, because Gerstenberg states it
directly in the stage directions. The director and actors would have to block
the show so these relationships transferred from stage to the audience
perspective. I think these relationships could definitely be less clear from an
audience perspective because you’d have to pick it up on your own, as opposed
to having it explicitly stated to you. There is a moment when it looks like
Hetty may break out of this convention (when she heads to answer the phone),
however Harriet wins over and the pattern remains consistent.
I think it’s interesting that the
women’s “cultured” sides are the petty, dishonest portions of their
personalities. Since it’s the early nineteen hundreds, this is how women were
required to act. They had to closet their true feelings in order to appear
proper and cultured. However, from the perspective of the modern day women, I
think that the “primitive” sides of each woman are actually their truer
personalities, so it’s odd to me that Gerstenberg chose to make their solid
forms the “cultured” versions of themselves instead of vice versa.
Very interesting view point on overtones. It would be interesting to imagine if Gerstenberg had switched Hetty and Harriet/ Maggie and Margaret's personalities. The play would probably have a much different set up than it does now.
ReplyDeleteI think this is an excellent response because I can tell you stuck so closely to the play. I like how you pointed out that although the stage directions state that the women cannot hear the other’s “dark side,” the director has the task of making this shown to the audience. You seem to feel the need to really respect the script and that’s awesome. Because you seem to have such clear ideas of the play, I’d love to hear whether or not you think Hetty and Maggie can hear/see each other.
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